Alison Clouston
visual artist curriculum vitae
aclouston@burragorang.org www.burragorang.org
Selected education and employment
2006 Lecturer in Sculpture, TAFE Illawarra, Moss Vale, NSW
2004 Master of Fine Arts, (Research), University of New South Wales, Sydney
2003 Coordinator, Burragorang International Artists Workshop, NSW
1990’s, 2003 Lecturer in Sculpture, College of Fine Arts, University of NSW, Sydney
1988-95 Lecturer in Sculpture, East Sydney Technical College, Sydney
1979 Diploma of Fine Arts, University of Canterbury, New Zealand
Selected exhibitions
2007 “World Tree (part two)”, Goulburn Regional Gallery
2006 “Adrift” collaborative installation with composer/musician Boyd, for Murray Darling Palimpsest, Mittagong
2005 “The Trap; Recent Drawings by Alison Clouston”, Bowen Galleries, New Zealand
2004-5 “Ossature”. Installation with composer/musician Boyd, Space3 Gallery, Sydney, & Bowen Galleries, New Zealand & Penrith Regional Gallery, Sydney
2000-01 “Magical Golland”. Artist & curator, installation for Historic Houses Trust, sound by Boyd, Elizabeth Bay House, Sydney
1998 “Tracking”. Bowen Galleries, Wellington, New Zealand
1997 “The Land”. Bowen Galleries, Wellington, New Zealand
“Grounding”. The Museum of Sydney
1995 “The World Tree”. Hyde Park Barracks, Sydney
1994 “Fruits of the Earth”. Ray Hughes Gallery, Sydney
“Routes Canoe”. N.Z. International Festival of the Arts, New Zealand
1992 “The Birds and the Bees”. Ray Hughes Gallery, Sydney
1991 “Familiar Beasts”. Ray Hughes Gallery, Sydney
1990 “The Archaeology of Beekeeping”. Arthouse, Launceston, Tasmania
1988 “Something Short of a Picnic”. Adelaide Festival, Jam Factory Gallery, Adelaide & Mori Gallery, Sydney
1986, 84, 83 Mori Gallery, Sydney
Recent group exhibitions
2007 “Grounded; art, activism, environment”. Collaborative installation with composer/musician Boyd “Adrift”, Campbelltown Arts Centre
2006 Woollahra Small Sculpture Prize Exhibition, Sydney
2006 “Post-It”. Peloton Gallery, Sydney
2005 “The 9th International Shoebox Sculpture Exhibition”, University of Hawaii Gallery, and touring USA
2005 “Dawn Light International Contemporary Art Symposium”, collaboration with Boyd installation Wake, Gosford, Sydney
2005 “Hong Kong International Artists Workshop & Exhibition”, installation “Learning to Fly Again”, Hong Kong
2005 “Small Offerings: Sri Lankan & Australian Artists”. The Cross Art Projects, Sydney
2004 “Conversion”, installation “Books to Burn”, Public Library, Goulburn Regional Gallery
2004 “[Out of Gallery] Guerrilla Art in Western Sydney”, Sydney
2004 “Masters of COFA”. Ivan Dougherty Gallery, Sydney
2003 “Prima materia”, Spirit Level, Sydney
2003 “environmenta”, site-specific exhibition, Bowral, NSW
2002 “Strange Futures”, installation “Catchment”, Casula Powerhouse, Sydney
2001 “The Cultivated Garden”, site-specific work, Homeground, Hazelhurst Regional Gallery, Sydney
Hazelhurst Art Award, Hazelhurst Regional Gallery, Sydney
“Over The Back Fence”. Bowen Galleries, Wellington, New Zealand
“Grass-feathers and Phone-wires sculpture from the town camps, communities and outstations around Tennant Creek, N. T.” Curator & artist, Northern Territory
2000 “Essential Truths, Readily to Hand”. Adelaide Festival Centre, Adelaide
Recent Awards and Artist-in-Residencies
2005 Wingecarribee Shire Council, Arts and Culture Grant
2003 NSW Ministry for the Arts Grant, for Co-ordination of Burragorang International Artists’ Workshop
2001, 2000 & 1998 Artist-in-Residence, Julalikari Council Aboriginal Corporation, Northern Territory.
Selected public sculpture commissions
1999 “Creekline”. An environmental public sculpture, Fowlers Gap Arid Zone Research Station, Western NSW
1998 “Banksia”, ephemeral public sculpture, in collaboration with Joris Everaerts and the public, Sydney Fringe Festival, Bondi Beach
1997 “Bondi Points”, ephemeral public sculpture, in collaboration with Joris Everaerts and the public Sydney Fringe Festival, Bondi Beach
1994 “Roots Canoe”. Creation and installation of works, New Zealand International Festival of the Arts, Civic Square, Wellington, New Zealand
Short-listed for “The Edge of the Trees”, Museum of Sydney, and The Irish Famine Memorial Sculpture, Hyde Park Barracks, Sydney
Public collections
Australian National Gallery, Queensland Art Gallery, National Gallery of Victoria, City of Ballarat Fine Art Gallery, Wollongong City Gallery, New England Regional Art Museum, University of NSW, Broken Hill City Gallery
Selected Bibliography
‘Two Up; Alison Clouston & Boyd’, Australian Art Review, issue 14 July October 2007 pp. 58 60
James Hancock, ‘Space3; An Australian Independent Creative Network 2000 2005’, Space3 Gallery, Sydney 2005 pp. 146 151
‘Bone Up Best Ribs’, The Sydney Morning Herald, 3 Jan 2005, Summer Spectrum p. 32
Tracey Clement, Exhibitions, The Sydney Morning Herald, 22 30 December 2004, Metro p.19
‘Bony Art’ Capital Times, NZ, 14 April 2004, p. 12
Vanessa Wilson, The Planner, ‘Ossature’, The Sydney Morning Herald, 20 21 March 2004, Forty-eight hours p. 8
Anne Loxley, ‘Nature’s theme can only grow on you’ The Sydney Morning Herald, 10 Oct 2001
Chelsea Clark, The Daily Telegraph, 25 Nov 2000,
Beth Hise, ‘Magical Golland’, The World of Antiques and Art, No 60, Dec 2000 June 2001, pp. 118-119
Claire O’Rourke, ‘Kathleen’s Kingdom Comes to Life’, The Sydney Morning Herald, 24 Nov 2000, Metropolitan p.19